With "Flowers in the Attic," V.C. Andrews created one of the best firecrackers in trashy, pulpy novel history. The Dollangangers were a family whose trust issues are slowly revealed in ways that are increasingly bizarre but somehow rationalized thanks to how Andrews wrote the prose in very manipulative and compelling ways. Some may argue that its themes are at times too uncomfortable or exist solely for shock value, but from a prose standpoint, it was riveting and relied on what the audience needs in a good book. It needs to stay hooked, and she found a way to keep the plot moving even as the characters remained trapped in an attic, constantly struggling with sanity. They felt real and vulnerable, where even their slow dive into a controversial legacy felt warranted. This was the epitome of a true crime tale crossed with the most delicious of soap opera scenery chewing.
It included a cliffhanger where "Petals on the Wind" immediately picks up. With an undeniable hook going in, the reader has to wonder what will happen next. What is amazing is not so much that Andrews has continued to churn out surprise after surprise, but how her second outing is not structurally the same as what came before. From beginning to end, decades play out and characters experience twists and turns that are even soapier and may be less satisfying. It's at times too self-aware of the legacy it must live up to, but even then leaves questions as to how Andrews thought to continue this journey for several more books. It feels like she burns through the plot so quickly that there's nothing left to say. Even then, "Petals on the Wind" is a novel that gives a fist pump of an ending, playing into the reader's worst tendencies and rewarding their desire for moments driven by big, irrational emotion. It may not be the pristine follow-up Andrews could've written, but it's far from a boring continuation.